Looking Back

Looking back at my studio workshop and storefront on College Street in Toronto, which I ran from 1997 to the end of 1999, brings a flood of memories. Located at 655 College Street, Work was a vibrant storefront gallery and studio that represented dozens of emerging local artists. Tucked in the back was a tiny but industrious studio space where creativity thrived.

Work was more than a gallery—it was a hub for art and community. We regularly curated exhibitions blending fine art with beautifully crafted designer gift items. The unique combination of a gallery, retail space, and creative studio fostered a warm, inviting atmosphere that drew in both art collectors and local shoppers.

We were deeply supported by Toronto’s creative community, who not only shopped but also commissioned work, further fueling the collaborative and dynamic energy of the space. One of the most memorable moments was being commissioned by Chantal Kreviazuk, whose trust in our creative vision was an incredible honor.

One of our standout initiatives was being among the first in Toronto to rent jewelry benches to independent designers, providing them with an affordable and inspiring space to create. The shop showcased the talent of Toronto-based artists like Linda Pendwarden, Joy Walker, and Natalie Waldburger, while also featuring craft work from England and Wales, adding an international touch to our offerings.

Running Work came with its challenges, especially as a young mother balancing life, family, and a growing career. Juggling the demands of parenthood while managing the daily operations of a gallery and studio required resilience, creativity, and adaptability. Yet, it was an incredible experience that taught me so much about art, business, and community. It was a place where art and creativity came to life, leaving a lasting impact on my practice and shaping the way I view the intersection of family, work, and artistic passion.